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The camera has become, for me, a way of looking into rather than upon subject matter. In particular, self portraits allow me to explore the possibilities beyond the ordinary visage. In photographs, I tend to integrate process and manipulation which transform the obvious into the implied. I call this type of work Partial Visualization, which unlike Edward Weston’s concept of Pre-visualization relishes in the transformation of seeming reality, while also embracing the element of chance. The shutter does not always “fix my conception” as it did for Weston. Instead, it washes the previously held conceptions away and hints at the temporary and the ongoing nature of time.
In-Progress Mixed Media Series